A Final Day at Telluride Bluegrass Festival
As the sun rose on the Summer Solstice, high above the festival grounds, I was busy celebrating the birth of the season with a ridiculously late lie-in. I’d jammed the night before until 7 a.m. with some of the finest acoustic musicians in the world, and only got back to my bed by 9 a.m., dishevelled and exhausted. That’s why I’m unable to tell you how Mike Farris did. The same for WPA (featuring Glen Phillips and Sara Watkins), the SteelDrivers and Todd Snider. Is this why I’m a musician and not a journalist … ? I’ll leave it to Tim O’Brien, who gave Farris the award for Most Effective Use of Three Chords. He also raved about the SteelDrivers (listen to Lee Ann Womack’s version of “Either Way” for Chris Stapleton’s amazing vocals) and WPA. Tim himself gave an exquisite set, armed with Stuart Duncan on fiddle, Bryan Sutton on guitar and Dennis Crouch on bass — a real master class in singing, playing and writing.
We awoke on Telluride Mountain on Saturday (June 20) — day three of the
As far as the official showcases go, I think this was one of the finest lineups for the
Every year, around the third week of July, bluegrass pickers from across the country descend on a little piece of land along the St. Vrain river in Lyons, Colorado. They come for the scene, they come to socialize, cook, eat, drink, pick and hang, but mostly they come to learn. The
It doesn’t get much better than hearing live bluegrass, sitting under the sun, camping out, and maybe hitting up a nearby river for a dip. If work commitments and travel expenses didn’t exist, here’s how I’d spend July.
“To hell you ride.” That they say, or someone said, is the origin of Telluride’s name; and quite a ride it truly was. Not a conventional bluegrass festival by any stretch,