CMT Blog: Archive

Are Major Record Labels Sitting on Great Music?

Posted: February 28th, 2008 at 3:38 pm  |  By: Calvin Gilbert  

Night Atlanta BurnedAt this point in the digital age, why isn't every album ever released by a major label available either on CD or as a download? And why does it so often take a foreign record label to re-release classic music that's sitting in a corporate vault?

I just got back from the Ernest Tubb Record Shop after learning that two of Chet Atkins' RCA albums from the mid ‘70s -- The Night Atlanta Burned and The First Nashville Guitar Quartet -- were finally released on CD. Not by RCA, of course, but by Raven Records, an Australian company that packaged them together on one disc. I gladly plunked down $24, but honestly, for the past decade, I would have paid twice that amount -- but that CD simply didn't exist and the download still doesn't.

Atkins recorded both albums with acoustic ensembles -- The Night Atlanta Burned with guitarist Paul Yandell, mandolinist Johnny Gimble and violinist Lisa Silver and The First Nashville Guitar Quartet with guitarists Liona Boyd, John Knowles and John Pell. Great stuff. While interviewing Chet Atkins in the mid ‘90s -- when he was recording for Columbia -- I asked if he thought The Night Atlanta Burned would ever be released on CD. He said, "All of that belongs to RCA. I'd love to see it released, but I don't have any control over what they do."

Raven made me very happy through the years with some of the titles they've been the first to release on CD, including an expanded version of Glen Campbell and Jimmy Webb's Reunion. Raven was also the first to offer CD versions of Michael Murphey's Geronimo's Cadillac and Cosmic Cowboy Souvenir, two excellent albums he made for A&M in the ‘70s.

If projected sales figures prohibit releasing CD versions of certain albums, how much does it cost to make a download available? No doubt, there are financial and legal factors at play in some situations, but it sure looks like the major labels are still sitting on a lot of music because they either don't know what they've got -- or don't care enough about it to make it available to the public.

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Reader Comments

  • A Word on the Major Labels » PureCountryMusic.Com Blog says:

    Posted: February 28th, 2008 at 8:52 pm  

    [...] reluctance to make certain albums available to the public for fear that sales will be too low (click here to take a look). This strikes a chord with me, because from time to time I have to inform customers that, due to [...]

  • The Cyrus Virus: Billy Ray Tapped To Host Nashville Star — The 9513 says:

    Posted: February 29th, 2008 at 11:48 am  

    [...] Calvin Gilbert on the CMT blog: “At this point in the digital age, why isn’t every album ever released by a major label available either on CD or as a download? And why does it so often take a foreign record label to re-release classic music that’s sitting in a corporate vault?” I’d like to add a big, fat exclamation point. [...]

  • Butch says:

    Posted: February 29th, 2008 at 2:00 pm  

    Free the great country music!

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